藝術研究翻譯範例－速意翻譯社的部落格

藝術研究翻譯範例

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美研所 論文摘要範例

內化自我─體現創作演譯的試煉 摘要文案

　　人類的記憶也許就像一部作品，呈現著人生的歷盡滄桑與悲歡歲月。許多藝術創作者的創作靈感，往往是來自於記憶與內在心靈。所以，我們可以從這些藝術創作品，觀察到創作者的心境與其對於生命歷程的感受。「內化自我─體現創作演譯的試煉」的論文，是論文作者(或論文研究者)探討「內化自我─體現創作演譯的試煉」之系列作品的研究。對於此篇論文的摘要，我們速意翻譯社的專業翻譯師，能以藝術創作與心理學的專業術語，產出英文版的學術論文摘要。以下，我們分析「內化自我─體現創作演譯的試煉」之論文摘要的翻譯情形：

原文

記憶對於生物而言，是極為重要的。科學家相信凡是生物，在其成長過程中，記憶是絕對存在的，而記憶對於人類尤為重要。
「內化自我─體現創作演譯的試煉」的系列作品是以「自我」為出發點，將個人記憶藉由創作的勞動歷程，投射出個人的獨特見解，將生活中的情緒轉變以及創作思考再現於作品之中。目的以生命角度思考自然大宇宙，「心象」是個人小宇宙，交織混融出雙重隱喻，蘊含自然關懷與生命體驗，終已體會出無垠，展現出生命靈魂之創作以及自我價值之實現。「內化自我─體現創作演譯的試煉」系列作品有以下三點創作目的：一、從心理學的角度，對「我」加以敘說、探究。二、探究釋放創傷性記憶之創作行為，撫平心靈的孤獨感並沈澱對生活的感知力。三、透過「生死」體驗，探討生命與生活的藝術質覺，發展個人的創作理念。
本篇論述全文分為五個部分：第一章緒論主要撰述創作動機、創作目的以及創作方法。第二章創作背景與理論基礎：主要以美術史、美術心裡學、美學、藝術治療……等理論基礎來檢視、解析「內化自我─體現創作演譯的試煉」系列作品。第三章創作實踐：主要說明創作理念脈絡、創作中的個人呈現情形。以創作內容與形式、技巧來分析，解釋「內化自我─體現創作演譯的試煉」系列作品所做為何。第四章作品說明：共分三個面向作品說明。第五章結論：說明經由創作內化過程的修復效力與發展。

關鍵詞: 心象、抽象、靜觀、質覺

譯文

For living creatures, “memories” are critical surviving skills to their lives (註一). Scientists believe creatures grow as well as accompany with their memories (註二). Most importantly, memories are especially big deals to the human beings (註三).
All the series of “Ego Internalization—Trials in Creation Process” (註四) works starts with the “egos”. Carrying with the memories (註五), the artist gains a brand-new and unique perspective during her working process. Also you could see her tiny daily emotional changes (註六) and lots of inspirations as well shown in her works. The artist tries to understand and experience the nature, the big universe, and she kicks off from her personal lives. She then takes her “mental images” as a personal little universe. She combines these two universes and practices them in her works. Therefore her works care about the natural lives and shows the great endless natures of self-value realization and life soul. There are three purposes of the series of “Ego Internalization—Trials in Creation Process” works listed as follows (註七): 1.Using the psychology theory to explain and discover “self” (註八)。2.The influences of traumatic memories on human being lives. 3.Through the experience of undergoing “life and death”, the artist (註九) tries to perceive the art of life and how she flourishes her creations.

There are five main parts of the paper listed here: Chapter I-- Preface: This chapter describes the artist’s motives, purposes and methods of her creations. Chapter II-- Creation background and theories: The artist employs art history, art psychology, aesthetics (註十), art therapy …etc. to examine and analyze her series works of “Ego Internalization—Trials in Creation Process”. Chapter III-- To create and to practice (註十一): This chapter mainly explains the sequence ideas (註十二) of the artist’s creations and how she expresses. The artist characterizes her series of works by the contents, forms, and skills of the works. Chapter IV-- Descriptions of the works: The artist describes her works in three facades. Chapter V-- Conclusion: The internalization in creation process would probably recover the traumatic memories and the artist also concludes its future development.